Copie Conforme (Certified Copy)

My third Cannes film and absolutely the best I have seen up-to-date (haven’t I say this before?) which only makes me anxious to continue my voyage into 2010 Cannes films. Have I before talk about perfection? Yes with an almost always before, but this time there is no almost before as this is perfect, my perfect movie. Chapeau Master Kiarostami you delighted all my senses with your magnificent oeuvre d’art. I praise you and dearly thank you for that. You confirmed me my very own personal reasons why I love cinema. Thank You.

After trying to get rid in the above paragraph of all the emotions I felt while watching this film I’m going to try to be objective and share some thoughts with you all about this extraordinary film that I know will make you feel strong emotions thanks to a very ambiguous story that will lead to numerous interpretations and I honestly wish I could share some of my own interpretations with you all but if I do definitively will spoil the movie for you. This is a movie that you have to watch without knowing much about the story not only to be surprised but to be able to elucidate your own interpretation. Still I can tell what I knew before watching about the story: film tells about an English writer that goes to Tuscany to promote his latest book and meets a French woman who takes him to the village of Lucignano. That’s it and is enough.

Indeed I believe that the story –no matter which interpretation I found- is very common but what makes it most interesting and absolutely out-of-the-ordinary is the way it’s told visually and with narrative. Visually is all about original and copy, when the copy is better than the original, like for example when you see yourself in a mirror and sometimes realize that your reflection is much better than the way you see yourself. Visually there are many reflections in this film, but there are more in the narrative. Amazing!!!

The film is layered, brainy and very complex but to some eyes could be seen as a very linear story in a ‘plain’ film that tells not much about their characters and with too much talking that says nothing interesting about anything in particular as conversations divert into the banal and the unfamiliar to many. But please don’t be fooled and as I like to say: look beyond the end of your nose, which sounds really funny in English, but means to see beyond your limits. Believe me the movie is worth the effort.

Performances are extraordinary in another pas-de-deux (lately been seeing many) between marvelous Juliette Binoche and William Shimell. Is hard to believe that is Shimell’s first acting role as he creates a cold character so-well that at moments will absolutely annoy you up to the point of strongly dislike him. Binoche is Magnifique and all honors she has and will collect for this role are not only well-deserved but will never truly recompense her extraordinary performance. Outstanding cast!!!

But this film, the second he does outside Iran, is Abbas Kiarostami’s opus magnificent that continues masterly exploring human relationships in visually compelling films. Is his film a work of art? Yes it is for me, but is not art cinema. The film looks and feels like great European cinema and paraphrasing something I read this is what I feel about this film: you don’t know if this is Kiarostami doing European cinema or is European cinema by Kiarostami.

Strongly recommend the film to those that love ‘perfect’ cinema, European cinema and the work of Abbas Kiarostami. But also I do recommend it to those that are in the mood to make an effort and go beyond their usual limits while watching a movie.

I LOVE the movie beyond Juliete Binoche’s performance and those who know me will easily understand that the impossible happened as Binoche is one of very few favorite actresses that sometimes (almost always) don’t allow me to watch films beyond her performance. That’s how much I liked this movie.

BIG, but BIG ENJOY!!!

Watch trailer @MOC

رباره الی Darbareye Elly (About Elly)

Took me a very long wait but finally I was able to watch this magnificent film by Asghar Farhadi who captivated me with Chaharshanbe-soori (Fireworks Wednesday) and continue captivating me with another interesting exploration on human relations in a film with sophisticated storytelling depicting a story that according to what I read, could mean different things to different people. Fascinating.

The film tells about three families traveling to the Caspian sea for a week-end holiday. They arrive only to find that the house they rented was not available and end-up staying in a tore down house near the sea. While they are setting in all is happiness, fun, we are introduced to the characters and the basic plot of the story, but everything -and I mean everything- changes when one little boy is missing and find him floating far away in the sea. What actually changes is the group dynamics plus characters behavior and you have no idea how well-develop the characters are, how the story will evolve and involve you.

To me the story is about women and their perhaps so common behavior all over the world, so it's not a story that only belongs to Iranian women; but to others the story is about lies and their consequences. Whatever you see in the story is up to you, but definitively is not only a very interesting story but also an universal story.

Great performances by excellent actors in this high value production that's set mainly at the beach house, so you have a movie that's all about characters and narrative, while tech specs are good the main thing is that they do not disturb the human drama that's being told so superbly.

As we know the film was Iran's submission to 2010 Oscar and while traveling the fest circuit was honored with multiple awards including a Silver Bear at the 2009 Berlinale for Best Director and the film in competition for the Golden Bear; and the Best Narrative Feature at 2009 Tribeca. Because I believe it's a great summary for the film, here is a reproduction of the Jury statement at the 2009 Viennale where won the Der Standard Readers' Jury Prize.

“Darbareye Elly is an artistically convincing, multi-layered drama about morals, responsibility to oneself and others, as well as the relationship to truth revealed by the dynamics of interpersonal relations. At the same time, it provides a rare view of Iran’s middle-class.”

So it's not just me that believes that Asghar Farhadi is the most outstanding Iranian filmmaker that allows us westerners to see a different side of Iranian culture in films with very compelling (universal) stories. If you haven't seen the film I strongly suggest you don't miss it as I highly recommend it.

Enjoy!!!

Watch trailer @Movie On Companion