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Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Tuesday, September 28, 2010

Baarìa

Giuseppe Tornatore’s emotional homage to his natal city has an interesting visual narrative for most of the film but I didn’t particularly enjoyed his storytelling technique that looked more like if I was watching a moving old photo album and definitively this technique breaks the story into fragments of moments that not necessarily all show continuity even when he does some kind of morphing to represent that the young character became adult. Honestly I highly disliked those special effects.

Basically the story tells about Peppino Torrenouva since he’s a very young kid with bad temper, grows up to be a school boy with problems at school, continues to grow, falls in love, marries, has children and no, he doesn’t live a happy ever life as he’s interested in politics, which makes him most of the time unemployed until he runs for office, wins and prosper. But this story is the excuse to also tell the story of Italy and to show what progress brings to a tiny village that becomes a flourishing city. The village that turns into a city is Bagheria, which locals call by its Phoenician name: Baarìa.

I don’t complain about the story that basically was what kept me watching even when time transitions sometimes left me wondering for a while what happened and took me a while to grab the storyline again. But the movie felt long, too long, as narrative rhythm was like a plain straight line and there were moments somewhere in the middle that I was getting bored and please remember that I enjoy Bollywood movies that are even longer than this one, so was not the length but the monotony what almost made snooze.

Performances are acceptable with mainly unknown-to-me actors and what somehow distract for the not positive are the too brief appearances of known actors like Monica Bellucci or not-so-brief like Raoul Bova or Enrico Lo Verso.

What this movie really has is good tech specs that absolutely will delight your eyes, but you need more than beautiful images to enjoy a movie and this film was weak in everything else.

As you can notice I didn’t enjoyed much the movie and in general I was disappointed as Tornatore has great movies like La sconosciuta, beautiful Malèna and unforgettable Cinema Paradiso. So do I recommend it? Not really, but it’s a Tornatore film and know that many probably already watched; if you haven’t maybe the best way is to rent the dvd for 2 or 3 days to watch like a miniseries, a little each day.

Enjoy!

Watch trailer @MOC

Saturday, September 25, 2010

Copie Conforme (Certified Copy)

My third Cannes film and absolutely the best I have seen up-to-date (haven’t I say this before?) which only makes me anxious to continue my voyage into 2010 Cannes films. Have I before talk about perfection? Yes with an almost always before, but this time there is no almost before as this is perfect, my perfect movie. Chapeau Master Kiarostami you delighted all my senses with your magnificent oeuvre d’art. I praise you and dearly thank you for that. You confirmed me my very own personal reasons why I love cinema. Thank You.

After trying to get rid in the above paragraph of all the emotions I felt while watching this film I’m going to try to be objective and share some thoughts with you all about this extraordinary film that I know will make you feel strong emotions thanks to a very ambiguous story that will lead to numerous interpretations and I honestly wish I could share some of my own interpretations with you all but if I do definitively will spoil the movie for you. This is a movie that you have to watch without knowing much about the story not only to be surprised but to be able to elucidate your own interpretation. Still I can tell what I knew before watching about the story: film tells about an English writer that goes to Tuscany to promote his latest book and meets a French woman who takes him to the village of Lucignano. That’s it and is enough.

Indeed I believe that the story –no matter which interpretation I found- is very common but what makes it most interesting and absolutely out-of-the-ordinary is the way it’s told visually and with narrative. Visually is all about original and copy, when the copy is better than the original, like for example when you see yourself in a mirror and sometimes realize that your reflection is much better than the way you see yourself. Visually there are many reflections in this film, but there are more in the narrative. Amazing!!!

The film is layered, brainy and very complex but to some eyes could be seen as a very linear story in a ‘plain’ film that tells not much about their characters and with too much talking that says nothing interesting about anything in particular as conversations divert into the banal and the unfamiliar to many. But please don’t be fooled and as I like to say: look beyond the end of your nose, which sounds really funny in English, but means to see beyond your limits. Believe me the movie is worth the effort.

Performances are extraordinary in another pas-de-deux (lately been seeing many) between marvelous Juliette Binoche and William Shimell. Is hard to believe that is Shimell’s first acting role as he creates a cold character so-well that at moments will absolutely annoy you up to the point of strongly dislike him. Binoche is Magnifique and all honors she has and will collect for this role are not only well-deserved but will never truly recompense her extraordinary performance. Outstanding cast!!!

But this film, the second he does outside Iran, is Abbas Kiarostami’s opus magnificent that continues masterly exploring human relationships in visually compelling films. Is his film a work of art? Yes it is for me, but is not art cinema. The film looks and feels like great European cinema and paraphrasing something I read this is what I feel about this film: you don’t know if this is Kiarostami doing European cinema or is European cinema by Kiarostami.

Strongly recommend the film to those that love ‘perfect’ cinema, European cinema and the work of Abbas Kiarostami. But also I do recommend it to those that are in the mood to make an effort and go beyond their usual limits while watching a movie.

I LOVE the movie beyond Juliete Binoche’s performance and those who know me will easily understand that the impossible happened as Binoche is one of very few favorite actresses that sometimes (almost always) don’t allow me to watch films beyond her performance. That’s how much I liked this movie.

BIG, but BIG ENJOY!!!

Watch trailer @MOC

Friday, September 24, 2010

Io Sono l’Amore (I Am Love)

This Luca Gudagnino film is a melodramatic tragedy that resembles Italian cinema of another era with good cinematography (especially Milan in winter), elegant settings and a story that the best part for me was visiting the upper class lifestyle as the Recchi family private life was like a microcosm of everything that seems fine but it’s a melting pot ready to burst.

The last comment describes better what the story is all about as you get introduced to all characters at a dinner party and while you watch you start to try to guess that from all the seemly perfect individuals who is going to burst and propel the drama and as the story evolves you keep guessing wrongly until one character, perhaps the most perfect of all, starts to get out of the perfect life that somehow looks like the perfect prison. I believe that this is movie where you have to pay attention to the little details in words and in what you look so if you don’t appreciate very-slow story development –perfect life is not really entertaining- you will surely get bored and miss when the drama explodes to continue with tragedy and ‘crazy’ freedom. Even if I made the story seem simple have to add that story and film are quite complex.

The complete cast performs well but Tilda Swinton absolutely steals the film, she’s unbelievably good in this role and just because her performance this is a must be seen film. Still I was impressed with Alba Rohrwacher performance but she was so little in the screen that I wished her character had more time and can’t help to mention that it was a true pleasure to see Marisa Berenson again in the big screen.

Can’t say that I enjoyed a lot the film, but when the one character that burst goes wild the film becomes more interesting and engaging not only because actor performance but also filmmaker decision to use extra-close close-ups to accentuate the impact of what happens. (This is me trying to not spoil the story for those that haven’t seen the film).

Do I recommend it? Yes I do, especially to watch Tilda Switon performance and if you like Italian cinema of the 50’s and 60’s you have to watch this Luca Guadagnino film that definitively looks and feels like the work of master directors of that era (s). I saw in here traces of Pasolini (yes, from my favorite movie of all times), Visconti, and maybe Rosellini, but mainly Italian critics’ mention in their film critics many more great master filmmakers.

Enjoy!!!

Watch trailer @MOC

Sunday, September 12, 2010

67th Venice International Film Festival Awards Winners

In what I perceive as a very 'conventional' award ceremony the Jury honored some (exactly One) movie that definitively I don't agree even if have only seen the trailer but know quite well the director's style and filmography. Still it should not be a surprise as this is the fest that in a previous edition gave the Golden Lion to The Wrestler.

Here are the winners.

Main Competition

Golden Lion: Somewhere, Sofia Coppola, USA

Jury Special Award: Essential Killing, Jerzy Skolimowski, Poland, Norway, Hungary, and Ireland

Silver Lion for Best Director: Alex de la Iglesia for Balada Triste de Trompeta (A Sad Trumpet Balad), Spain and France

Copa Volpi for Best Actress: Ariane Labed in Attenberg, Athina Rachel Tsangari, Greece
Copa Volpi for Best Actor: Vincent Gallo in Essential Killing, Jerzy Skolimowski, Poland, Norway, Hungary, and Ireland
Marcello Mastroianni Award for Rising Star: Mila Kunis in Black Swan, Darren Aronofsky, USA

Osella for Best Screenplay: Balada Triste de Trompeta (A Sad Trumpet Balad), Alex de la Iglesia, Spain and France
Osella for Best Cinematography: Ovsyanki Овсянки (Silent Souls), Aleksei Fedorchenko, Russia

Special Lion for His Career: Monte Hellman

Luigi de Laurentiis Award for Best First Film: Cogunluk (Majority), Seren Yüce, Turkey

To read the awards announcement in Italian go here and in English here.

Collateral Awards

FIPRESCI Award Main Competition: Ovsyanki Овсянки (Silent Souls), Aleksei Fedorchenko, Russia
FIPRESCI Award Sidebar Sections: El Sicario Room 164 by Gianfranco Rosi, France and Italy (documentary from Orizzonti)

SIGNIS Award: Meek's Cutoff, Kelly Reichardt, USA
CICAE Award: La Belle Endormie, Catherine Breillat, France

There are many more collateral awards that you can check in Italian here and in English here.

Orizzonti

Gran Premio Orizzonti: El Verano de Goliat by Nicolás Pereda ,Mexico and Canada

Jury Award: The Forgotten Space by Noël Burch and Allan Sekula, Netherlands and Austria (documentary)

Medium-Length Film: Tse (Out) by Roee Rosen, Israel, 34'
Special Mention: Jean Gentil, Israel Cardenas and Amelia Laura Guzman, Dominican Republic

Short Film
: Coming Attractions, Peter Tscherkassky, Austria
Short Film nominated for the European Film Awards: The External World, David Oreilly, Germany

To read announcement at the official site in Italian go here and in English go here.

So this is it for this year with a festival that I found to have too many Italian movies (more than half) but was very diverse with films for almost all viewers tastes. Some are sad as ended too soon, some are disappoint that couldn't watch but a few films, some were surprised to find that people in this fest actually are there to watch the movies, and some were counting the days to go to Toronto's fest that has more parties, more glamor and more show business... American style.

Me, I had a great time really learning and sharing about the films in this fest as is only when you do a daily coverage that you really learn much about each film. But I'm exhausted and won't be doing this again until next May with the mother of all festivals like I call Cannes.

Arrivederci, ci vediamo nel 2011.

Saturday, September 11, 2010

Day 11 @ 67th Venice International Film Festival

Last day is main awards day but today the fest will screen one movie that I'm looking forward to watch Taymor's The Tempest that I hope has all her peculiar style as some of us already know the story.

Out of Competition
Closing Film: The Tempest by Julie Taymor, USA

As we all know before the screening of the closing film is the awards ceremony that I'm not sure if I'll be able to watch, but I can always follow it by twitter. The ceremony is at 7:00pm local time.

Orizzonti

Most of the films screened today come from this section that will have its award ceremony at 5:30pm.

So this is the shortest post for Venice daily coverage as all left to do is to wait for the main awards, but to close it here are some predictions for possible winners.

From news dispatches
-Venus Noire is a worthy contender
-Favorites are: China's The Ditch and Russia's Silent Soul (the last with stunning visuals)

If you consider eccentric [sic] Tarantino's tastes
-Chile's Post Mortem
-Japan's 13 Assasins

Italian press
-Chile's Post Mortem

American press
-Meek's Cutoff Golden Lion; Jury Prize: Silent Souls

Truth is like what happened in Cannes, there is not ONE movie that standouts as a clear winner, which makes the award ceremony more interesting. Still there is one award that I HOPE is a sure thing, the Best Actress HAS to be for Catherine Deneuve, as from trailer she's just delicious and outstanding; the only problem could be that the film is a very French comedy, so will see what happens.

So, from trailers my Lions go to these movies

Golden Lion: Silent Souls
Jury Prize: Post Mortem
Best Director: (impossible to say from trailers)
Best Actress: Catherine Deneuve
Best Actor: (have no idea, lol)

News

Haven't left Venice many directors, which we all know it could mean that will get an honor, so two are coming back: Sofia Coppola and Alex de la Iglesia; still there: Takashi Miike, Monte Hellman, Wang Bing, and Richard J Lewis.

Is the first time I hear about this award that has a great, yet funny, name: Mouse or should I say, Mice as there are two awards. (lol) Given by Italian online critics this year Golden Mouse for best film in competition goes to Russia's Silent Souls and the Silver Mouse for best film in the other sections to Canada's Incendies.

According to a dubious source "Lesbian acts are increasingly prevalent in cinema, seen here in Attenberg, Black Swan, La Solitudine and Happy Frew, and these days pass by almost without comment." Well, to me the source is not reliable but since I wish the comment to be true (hopefully) when I'm able to watch them will let you all know if was true or not.

It's over my next post shall be the awards.

Ci vediamo nel 2011!

4th Queer Lion Award Winner

No surprise that a gay interest film won the fourth Queer Lion, as the only lesbian interest film in the selection seems like a not so-positive portrait of lesbianism; but is a pleasant surprise to learn that the winner film is from Argentina. Winner comes from Orizzonti sidebar.

Queer Lion: En el Futuro (In The Future), Mauro Andrizzi, Argentina

Tonight -probably right now- many are celebrating at the party that followed the award ceremony. I really hope that next year the selection will be more balanced -interest wise. To read the announcement at the official site go here.

See you next year.

25 Settimana Internazionale della Critica Award Winner

Today the audience award "Region del Veneto per il cinema di qualità" for the best film in competition at the International Film Critics Week was announced and here it is.

Best Film: Svinalängorna (Beyond), Pernilla August, Sweden

Not that I needed this film to win the award as is must be seen for me. To read the announcement at the section official site go here. Another section closes and we'll learn the Orizzonti and Main Competition awards tomorrow.

7th Venice Days Award Winner

Not long ago the Europa Cinemas Label Award for Best European Film in Venice Days section was announced and here are the award and the mention

Best Film: Le Bruit des Glaçons (The Clink of Ice), Bertrand Blier, France

Jury statement: “This is an extremely witty film - a pitch black comedy about cancer and alcohol. Blier’s anarchic and politically incorrect take on this apparently taboo subject has the same energy and freedom of spirit shown in his earlier films like Les Valseuses. Brilliantly made and performed, the film never preaches and is sure to be enjoyed and spark debate around European arthouses.”

27 Times Cinema Mention

Best Film: Incendies, Denis Villeneuve, Canada and France
Statement: We love this film for its tackling of themes close to us as young adults. The characters found purpose through their investigation into their own distant cultural and family history through razor-sharp cinematography and its strong, surprising narrative structure.

The other two finalists were:
Cirkus Columbia (Circus Columbia), Danis Tanovic, Bosnia Herzegovina, France, UK, Slovenia, Serbia and Belgium
Life in the Time of Death, Andrea Caccia, Italy (Italian Portraits and Landscapes.

The 27 Times Cinema campus was composed by 27 young European film-goers and is a special project promoted by the Committee on Culture and Education of the European Parliament in partnership with Venice Days and with the collaboration of Europa Cinemas and Cineuropa.org. Cultural partner: Variety.

To read the official announcement go here.

So this is it for this year in this section that had films that didn't call my attention too much because of the stories filmmakers are telling. If they want to emulate Cannes Directors' Fortnight they will have to do much better, but they're still very young -only 7-years-old so time is absolutely on their side.

Cheers!!!

Day 10 @ 67th Venice International Film Festival

It's almost over but there are still many films today.

In Competition

Road To Nowhere, Monte Hellman, USA
Barney's Version, Richard J. Lewis, Canada and Italy
Drei (Three), Tom Tykwer, Germany (gay interest)

Out of Competition
L'Ultimo Gattopardo: Ritratto di Goffredo Lombardo, Giuseppe Tornatore (documentary)
Dai Nostri Inviati - La Rai Racconta La Mostra del Cinema 1954-1967 by Giuseppe Giannotti and Erico Salvatori, Italy
Dante Ferretti - Production Designer by Gianfranco Giagni, Italy (documentary)

After Dante Ferretti's film the Bianchi Award ceremony took place and this year's award went to (Oscar winner) Dante Ferreti. This award is given by the SNGCI (Sindicato Nazionale Giornalisti Cinematografici Italiani).

Orizzonti
News from Nowhere, Paul Morrissey, USA
The Forgotten Space by Noël Burch and Allan Sekula, Netherlands and Austria
Senritsu Meikyu 3D (The Shock Labyrinth: Extreme) by Takashi Shimizu, Japan
Bangdokpi (Anti Gas Skin) by Kim Gok and Kim Sun, South Korea
Many short and medium-length films
Retrospective
Fracchia, La Belva Umana by Neri Parenti, 1981
Botta e Risposta by Mario Soldati, 1950
L'Eroe Sono Io by Carlo Ludovico Bragaglia, 1952

Venice Days
La Vida de los Peces (The Life of Fish), Matias Bize, Chile

Winner(s) has been announced but will do an independent post.

International Critics' Week
Closing Film: Limbunan (The Wife's Room), Gutierrez Mangansakan II, Philippines (out of competition)

News

Was waiting to post the Persol 3D award winner but hasn't been announced yet, so will be on tomorrow's post. Here it is, Persol 3D awards were given to Avatar by James Cameron and How to Train Your Dragon by Chris Sanders and Dean DeBlois.

A few minutes ago was announced the winner of La Navicella: The Ditch, Wang Bing, Hong Kong, France and Belgium. The award ceremony is tomorrow.

Nine minutes ago was announced the SIGNIS Award, that goes to: Meek's Cutoff, Kelly Reichardt, USA. Don't worry all major awards will go in one post but I'm having fun just learning the news.

The jury of 19 young viewers has declared Barney's Version by Richard J. Lewis the winner of the "Leoncino d'Oro Agiscuola per il Cinema" and Julian Schnabel's Miral winner of "31 Segnalazione Cinema for UNICEF".

If you believed that the fest has only major awards check my twitter with announcements of different (and until today, unknown) awards. Better stop or will never publish the post.

Today's Photo

My last photo had to be of Noomi Rapace and was so lucky to find this great photo of her while walking the "streets" -okay the very narrow sidewalks- of Venice.

Friday, September 10, 2010

Day 9 @ 67th Venice International Film Festival

Only two more days to go and the first award was handled today, so I'm starting by sharing the award winner in the Controcampo Italiano section.

Controcampo Italiano

Best Film: 20 Sigarette by Aureliano Amadei
Jury statement: “The density of this story follows the rhythm of a truth that, beyond all prejudices, becomes a personal tale which blends the elements from the practice of freedom with intelligence and hints of irony. Freedom from one’s own past to pursue a dream, freedom from own prejudices to meet people, freedom from own pain not to force the audience into predetermined views”.

Special Mention: Vinicio Marchioni in 20 Sigarette by Aureliano Amadei “for his performance which allows the audience to experience the emotional complexity of the story through a combination of instinct and technique”.

To check the official announcement go here.

Other Awards

Also today at the Lancia pavilion in Venice was the award ceremony of the Nasti d'Argento awards given by SNGCI (Sindicato Nazionale Giornalisti Cinematroafici Italiani) and this year the European Nastro d'Argento of the Year was given to Tilda Swinton. Also getting one Quentin Tarantino for Inglourious Basterds named Best Non-European Film of the Year.

Let's check what the official schedule has for today.

In Competition

La Solitudine dei Numeri Primi (The Solitude of Prime Numbers), Saverio Costanzo, Italy, Germany and France (gay interest)
Jusan-Nin No Shikaku (13 Assasins), Takashi Miike, Japan

Out of Competition
Notizie Degli Scavi, Emidio Greco, Italy
That Girl in Yellow Boots, Anurag Kashyap, India (maybe will watch)
Zebraman: Zebra City No Gyakushu (Zebraman 2: Attack on Zebra City), Takashi Miike, Japan

Controcampo Italiano (Last films before the award ceremony)
Il Primo Incarico by Giorgia Cecere
Linea Nigra by Anna Gigante (short film - out of competition)
Films after the award ceremony - all are out of competition
Flaiano: Il megio e Passato by Giancarlo Rolandi and Steve DellaCasa
Fughe e Approdi by Giovanna Taviani

Today the first section of the fest closes with the screening of the Controcampo Italiano winner film that we know is 20 Sigarette by Aureliano Amadei.

Orizzonti
Dharma Guns by F. J. Ossang, France and Portugal
Sheoeyin Kenna (We Were Communists) by Maher Abi Samra, Lebanon, France, and UAE
Zelal by Marianne Khoury by Mustapha Hasnaoui, Egypt, France, Morroco, and UAE
Many short and medium-length films

Retrospective
Il Mantenuto by Ugo Tognazzi, 1961
E Arrivato Il Cavaliere! by Stefano Vancina and Mario Monicelli, 1950 (with Silvana Pampanini!)

Venice Days
Cogunluk (Majority), Seren Yüce, Turkey
La Vita al Tempo Della Morte (Life in the Time of Death) by Andrea Caccia, Italy (Italian Portraits and Landscapes section)

I've been forgetting to share with you that this section will screen the three Lux Prize nominees. The Lux Prize is awarded by the European Parliament and awards ceremony is at the end of November.

Akadimia Platonos (Plato's Academy), Filippos Tsitos, Greece and Germany, 2009
Die Fremde (When We Leave), Feo Aladag, Germany, 2010
Illegal, Olivier Masset-Depasse, Belgium, France, and Luxembourg, 2010

International Critics' Week
Martha, Marcelino Islas Hernandez, Mexico, 2010

With the above film the section finishes the screening of all films in competition; tomorrow will be the screening of the closing film that's out of competition. Believe the awards ceremony will be on the fest last day

Comments

Maybe you noticed that the fest is really fading away as awards started to be announced plus tomorrow there will be several award ceremonies. Still tomorrow there are many films that will be screened but most are out of competition.

News

Today media attention turns to Toronto International Film Festival as today is the opening ceremony, articles started to appear since yesterday so is no surprise that there are not many news about La Mostra, obviously except in Italian press.

According to Time magazine reporters the most notable films from Venice are: Potiche, Detective Dee and the Mystery of Phantom Flame and 13 Assasins. I'm just already dying to watch Potiche and wonder if the Lion will go to Asia this year.

Today's Photo

As some of you probably guessed today's photo is Tilda Swinton at the Venus Noire premiere. Great Tilda Swinton was honored today with a Nastro d'Argento.

Thursday, September 9, 2010

Day 8 @ 67th Venice International Film Festival

Another day in La Mostra with some interesting films.

In Competition

Attenberg, Athina Rachel Tsangari, Greece (If you watch the trailer you'll notice that has a "little" lesbian interest)
Vénus Noire (Black Venus), Abdellatif Kechiche, France (yes will watch)

Out of Competition
La Prima Volta a Venezia by Antonello Sarno, Italy (collage with eighty-eight memories and secrets about their first time at Venice fest with the likes of Clint Eastwood, Charlize Theron, and many more)
Sorelle Mai by Marco Bellocchio, Italy (could be interesting - filmed from 1999 to 2008 comprises 6 episodes of a single story)
The Town by Ben Affleck, USA (I like Affleck directing, not acting; but probably will watch maybe he can direct himself better)
All Inclusive (3D) by David Zamagni and Nadia Ranocchi, Italy and Austria (the story seems interesting but 3d?)
Zebraman by Takashi Miike, Japan, 2004

Controcampo Italiano
Tajabone by Salvatore Mereu

Orizzonti
A Espada e A Rosa by João Nicolau, Portugal and France
The Nine Muses by John A komfrah, UK and Ghana
Nainsukh by Amit Dutta, Switzerland and India
Many short and medium-length films

Retrospective
Eccezzziuna le... Veramente by Carlo Vanzina, 1982
Guardie e Ladri by Stefano Vanzina and Mario Monicelli, 1951

Venice Days
Et in Terra Pax (And Peace On Earth), Matteo Botrugno and Daniele Coluccini, Italy
Scena del Crimine by Walter Stokman, Netherlands (Italian Portraits and Landscapes section)

International Critics' Week
Hora Proelefsis (Mother Earth), Syllas Tzoumerkas, Greece, 2010

News

Yesteday Mani Ratman was honored with the Jaeger leCoultre - Glory to the Filmmaker Award, he received the award for the film Raavan. Unfortunately Aish wasn't there. Today finally got clear the reason why the film has two names. Raavanan is Tamil and Raavan is Hindi and as some us know, there were two versions one in Tamil and another in Hindi; so the longer name really belongs to Tollywood, while the second -the one I saw- to Bollywood.

Most news in any language are about Ben Affleck being there. At Radio Montecarlo there is an interview where he talks about his movie but also about his interest in politics, the title: Dopo Obama... Ben Affleck? (After Obama... Ben Affleck?)

Today's Photo

Very elegant Paz Vega at the red carpet of Vallanzasca -Gli Angeli Del Male premiere.

Wednesday, September 8, 2010

Day 6 and Day 7 @ 67th Venice International Film Festival

You can't miss a day in the fest as yesterday was the screening of the usual "film sorpresa" (surprise film) with a documentary by whom been called "master documentarian" Wang Bing. The film: The Ditch that seems will be hard to watch, but definitively will watch as I like the style. To read the press release go here.

As there are many films decided to separate the list by days for better reading.

Day 6

In Competition

Essential Killing, Jerzy Skolimowski, Poland, Norway, and Hungary
Meek's Cutoff, Kelly Reichardt, USA (Like Reichardt style-will watch)
The Ditch by Wang Bing, Hong Kong, France and Belgium (was this year's film "sorpresa")

Out of Competition
I'm Still Here by Casey Affleck, USA (yes the doc about Joaquin Phoenix)
Vallanzasca - Gli Angeli del Male, Michele Placido, Italy
Raavanan, Mani Ratman, India (yes is Raavan that I liked a lot)

Controcampo Italiano
Ma Che Storia by Gianfranco Pannone, Italy
Ward 54 by Monica Maggioni, Italy and USA (out of competition)
Sposero Nich Vendola by Andrea Costantino, Italy (short film - out of competition)

Orizzonti
Cara Cremada by Lluís Galter, Spain
Xifang Qu Ci Bu Yuan (Reconstructing Faith) by Huang Wenhai, China
Verano de Goliat by Nicolás Pereda, Mexico and Canada
Many Short Films

Special Events
Minnesota Clay by Sergio Corbucci, Italy, 1964

Retrospective
Il Domestico by Luigi Filippo d'Amico, Italy, 1974
Cassotto by Sergio Citti, Italy, 1977

Venice Days
Cirkus Columbia (Circus Columbia), Danis Tanovic, Bosnia Herzegovina, France, UK, Slovenia, Serbia and Belgium
Cielo Senza Terra (Heaven Without Earth), Giovanni Maderna and Sara Pozzoli, Italy

International Critics' Week
Svinalängorna (Beyond), Pernilla August, Sweden, 2010 (was the official date)

Day 7

In Competition

Promises Written in Water, Vincent Gallo, USA
Noi Credevamo, Mario Martone, Italy and France (with Toni Servillo!)
Balada Triste de Trompeta (A Sad Trumpet Balad), Alex de la Iglesia, Spain and France (seems surrealistic)

Out of Competition
Prezit Svuj Zivot (Surviving Life), Jan Svankmajer, Czech Republic and Slovakia

Controcampo Italiano
Into Paradiso by Paola Randi
Achille by Giorgia Farino, Italy (short film out of competition)

Orizzonti
Tsumetai Nettaigyo (Cold Fish) by Sion Sono, Japan
Per Questi Stretti Morire (Cartografia di Una Passione) by Giuseppe Gaudino and Isabella Sandri
Many short and medium-length films

Special Events
I Crudeli (Hellbenders) by Sergio Corbucci, Italy, 1967

Retrospective
Cinque Ore In Contanti by Mario Zampi, 1960
La Manina di Fatma - episode from Cuori Infranti by Vittorio Caprioli, 1963
L'Onorata Societa by Riccardo Pazzaglia, Italy, 1961 (oh! Domenico Modugno! and Vittorio De Sica)

Venice Days
Notre Etrangere (The Place In Between), Sarah Bouyain, Burkina Faso and France

International Critics' Week
Oča (Father), Vlado Škafar, Slovenia, 2010

News
A few days ago I was able to watch the AMAZING trailer of Aleksei Fedorchenko's Ovsyanki Овсянки (Silent Souls) and even if is just a trailer (more than a trailer seems like the film beginning) I was absolutely captivated by the visuals, immediately became Must Be Seen for me. Today I'm reading that the film got a 12-minute standing ovation from the audience plus first critics' reviews headlines are very positive (don't want to read much). In my book the film has become a major contender for the top award. Check the trailer at the trailers blog, okay I make it easy for you and go here.

Also today I found a lot of interesting news but only one was about Venice fest, an interview with Noomi Rapace that if you like her I strongly suggest to watch the video. Check facebook wall to check the video plus other news about Telluride, one film I have to watch: The Illusionist, one film I will NOT watch, and more.

Interviews

Perhaps some of you will be interested in watching Pablo Larrain's interview at arte.tv, if you do go here (available only in French or German - but film images are in Spanish with English subtitles)

I still go 'gaga' for Catherine Deneuve and obviously I'm watching/reading everything about Potiche, but arte.tv has a Petite etude comparative entre l'interpretation de l'une et celle de autre. Deux reines, deux epoques (a small comparative interpretation study with two interpretations - one from the film the other from the famous stage play) that I strongly suggest to watch here.

Today's Photo

A very nice photo of Michelle Williams at the premiere of Reichardt's Meek's Cutoff. Remember to click the photo so you can appreciate it more.

Monday, September 6, 2010

Day 5 @ 67th Venice International Film Festival

As today I have more time than in previous days I got totally lost in the news about the fest, that's why the post arrives late. Today in competition three movies that will watch plus a very strange documentary by Gianfranco Rosi that called my atention and a few minutes ago started to read about the screening of another film Beyond by Pernilla August that absolutely is must be seen for me, not only because Pernilla has been called "bergmaniana" but because Noomi Rapace is the star.

In Competition

Meek's Cutoff, Kelly Reichardt, USA (I'm curious about this film, with Michelle Williams)
Di Renjie Zhi tongtian Diguo (Detective Dee and the Mystery of Phantom Flame), Hark Tsui, China (with Tony Leung Ka Fai, maybe will not like the story but I like the actor)
Post Mortem, Pablo Larraín, Chile, Mexico and Germany (probably will be as hard as Tony Manero but I'll watch)

Out of Competition
1960 by Gabriele Salvatores, Italy
Niente Paura - Come Siamo Come Eravamo e le Canzoni di Luciano Ligabue by Piergiorgio Gay, Italy (documentary)

Controcampo Italiano
20 Sigarette by Aureliano Amadei
Il Loro Natale by Gaetano Di Vaio (documentary)
Come Un Soffio by Michela Cescon (short film with Valeria Golino - out of competition)

Orizzonti
Cara Cremada by Lluis Galter, Spain
En El Futuro by Mauro Andrizzi, Argentina
El Sicario Room 164 by Gianfranco Rosi, France and Italy (a documentary about ex-commander of the state police in Chihuahua that became a very successful hit man... hmm)
Many Short Films

Retrospective
Vacanze di Natale by Carlo Vanzina, 1983
Le Pillole di Ercole by Luciano Salce, 1960 (think have seen it... have I? with Vittorio De Sica, Sylvia Koscina)
Fiebre da Cavallo by Stefano Vanzina, 1976 (oh! Catherine Spaak!)

Venice Days
Pequeñas Voces (Little Voices), Jairo Eduardo Carrillo and Oscar Andrade, Colombia (animation)

International Critic's Week
Hai Paura del Buio, Massimo Coppola, Italia, 2010 (story could be very interesting)
According to Italian Press (and Twitter) today is the world premiere of Svinalängorna (Beyond), Pernilla August, Sweden, 2010, which is must be seen for me. Viewers comments are talking about how good Noomi Rapace is and I definitively agree.

Interesting News

The Orizzonti section this year is presented in what I call a very not-organized way at the official site but if the presentation is hard to browse, the selection is also hard to watch because of its diversity. So organizers decided to create "Route Maps" to navigate the section. Nevertheless, the thematic route maps become a very interesting classificatory exercise just by the description and films included in each map.

Here are the Ten Possible Route Maps for Orizzonti.

Route Map #1 - The written word: relationship between image and text (narrating voice)
Route Map #2 - Life as a screenplay: the opposite of managerial storytelling
Route Map #3 - The image disturbs reality: Contemporary film animates reality, transfigures it, eludes it, urges it towards unexplored dimensions
Route Map #4 - The animals are watching us: the animal world can be a metaphor for the world of humans
Route Map #5 - Did you say documentary? documentaries have reclaimed the freedom once possessed in the early days of film
Route Map #6 - Documented horror: documentary material, and indeed the very experience of the documentary, may be confused with fictional images. This happens in so-called genre films. In these cases, film incorporates invisible forces: terror, the sacred, the premonition of catastrophes and the memory of those that have already taken place. Without ever betraying reality, the film stages what a screenplay cannot represent. Therefore the documentary becomes a film “genre” of the everyday.
Route Map #7 - So many stories from History: films that have found their starting point in the past, be in recent or distant
Route Map #8 - The geography of dreams: measuring the world, measuring time: film, the contemporary art of the fairytale and the story, the geographical art, ignores chronology or uses it to the benefit of the story.
Route Map #9 - Crisis (in the images, too): inducing artists to conceive for us (us spectators) new ways of understanding, new systems for reacting, new approaches to what might seem illegible to us. Film as a sensitive alphabet, as “gai savoir”.
Route Map #10 - Animation: a genre that percolates the widest variety of approaches, the film d’essai, the experimental film, the documentary, computer graphics, the video-clip.

To read complete Route Maps description plus find the films included in each route map go here.

Serious News

On Tuesday September 7th there will be an International Panel dedicated to Sergio Corbucci, a tribute to a master of Spaghetti Western films. On a lighter note, even if Tarrantino love him, don't think will have time to attend the panel. Read the press release here.

Not Serious News

Gosh, this is unbelievable but UK (and Italian) press are spreading the (very old) news that Sofia Coppola WAS Tarrantino's grilfriend! Yes, they're questioning his impartiality when in La Mostra Tarrantino has so many "conflicts-of-interest".

There was a party organized by Louis Vuitton at Palais Polignac honoring Sofia Coppola and if I don't do my daily visit to Le Monde this party -as well as many others- will go into total oblivion.

Today's Photo

Since yesterday have ready this very nice photo with always beautiful Catherine Deneuve. By the way, isn't amazing that Forbes (yes the business magazine) has an article about Potiche? (!) Strange.

Saturday, September 4, 2010

Day 4 @ 67th Venice International Film Festival

Today a film that thanks to trailer now I'm really looking forward to watch Ozon's Potiche with a Catherine Deneuve in a role and performance that has to be just delicious1

In Competition

Ovsyanki Овсянки (Silent Souls), Aleksei Fedorchenko, Russia
Potiche, Francois Ozon, France ("dying" to watch what seems a fantastic Deneuve role and performance)
La Passione, Carlo Mazzacurati, Italy

Out of Competition
Tungngaan 3D (The Child's Eye 3D), Oxide Pang and Danny Pang, China and Hong Kong (I'm starting to get really curious about watching an Asian 3D production)
A Letter to Elia by Martin Scorsese and Kent Jones, USA (documentary - out of competition - yes it's Elia Kazan)

Controcampo Italiano
A Woman by Giada Colagrande, Italy (After Antichrist I'm becoming interested in William Dafoe 'tormented' performaces, seems here we have another)
Tarda Estate by Marco De Angelis and Antonio Di Trapani, Italy (out of competition) (hmm... not listed in the program but seems puzzling)
Bassa Marea by Roberto de Paolis (short film)

Orizzonti
Jean Gentil by Israel Cárdenas, Laura Amelia Guzman, Dominican Republic, Mexico and Germany
Fading by Olivier Zabat, France
Robinson in Ruins by Patrick Keiller, UK (documentary -narrated by Vanessa Redgrave)
Many short films

Retrospective
Gli Allegri Masnadieri by Marco Elter, Italy, 1937
Tempo Massimo by Mario Mattoli, Italy, 1934 (not sure if I saw it, with Anna Magnani, Vittorio De Sica)

Venice Days
Noir Océan (Ocean Black), Marion Hänsel, Belgium, France and Germany

International Critic's Week
Hitparzut X (Naomi), Eitan Zur, Israel and France

Comments

There is something I'm really missing in the coverage of this fest by fest organizers, fast upload of press conferences, photo calls and press material in general, like happened in Cannes. Only in Arte.tv been able to find videos with excerpts of press conferences.

Most press coverage in Italian is about Italian movies, in English about English speaking movies and in French... not much about Potiche! Lol! Press conference already happened but no videos yet, premiere will be in a few hours.

Not Serious News

Yesterday there was a huge storm that according to a Venetian security guard was "biblical". Here are two reactions.

-In the grounds of the exclusive Excelsior Hotel, artist-director Julian Schnabel was doing a 'round-table' interview for a group of international journalists in the corner of a marquee that had been erected especially for the Film Festival. As the storm grew in intensity, rain began lashing the marquee and lightning flashes became evident, it was clear that the assembled group could be in danger from the metal framework of the marquee. They needed to move. Undaunted, Schnabel walked to the centre of the marquee, where a bar happened to be located, leaned against it and carried on fielding questions.

Not ending in a bar and not so dramatic: Director Sofia Coppola, with a group of actors and producers from her new film Somewhere, was due to give a major press conference inside the Casino. An outside photo-shoot of her party which was to precede it had to be moved inside.

Today's Photo

I'm impress, Elle Fanning looks like a taller version of her sister and is only twelve. Elle walking the red carpet at Sofia Coppola's Somewhere premiere.

Friday, September 3, 2010

Day 3 @ 67th Venice International Film Festival

Another day with some very interesting Italian films and THE movie inspired by Dante's The Divine Comedy.

In Competition
Happy Few by Antony Cordier (will watch, opens on September 15)
Somewhere by Sofia Coppola

Out of Competition
Gorbaciof by Stefano Incerti, Italy (starring Toni Servillo)
Jianyu (Reign of Assassins)by John Woo and Su Chao Pin
La Commedia by Amos Poe (know will watch it as is cinema verite done with 6000 animated still images - inspired by Dante's The Divine Comedy, the film is divide in three cinematic sequences with 100 minutes, like Dant'es 100 canti... yes, definitively must be watch for me)

Controcampo Italiano
Niente Orchidee by Simone Godano and Leonardo Godano, Italy (short film -out of competition)
Opening Film: II Baci Mai Dati by Roberta Torre (puzzling story that recalls Italian cinema from another era... will watch)

Orizzonti
Malavoglia by Pasquale Scimeca, Italy
Better Life by Isaac Julien, UK and China
El Pozo by Guillermo Arriaga, Mexico (short film)
Seven (7) short films program with shorts from UK, Japan, Italy, Greece, France, Germany, and USA
Three (2) medium-length films from Austria and UK/Italy

Retrospective
Il Ragazzo di Campagna by Franco Castellano and Pipolo, 1984
6X8/48 (Tutta la Citta Canta) by Ricardo Freda,
Io Non Spezzo ... Rompo by Bruno Corbucci, 1971

Venice Days
Incendies, Denis Villeneuve, Canada and France
Il Sangue Verde (Green Blood) by Andrea Segre, Italy
Lisetta, Carmi. Un'anima in Cammino by Daniele Segre, Italy

International Critic's Week
Angèle et Tony, Alix Delaporte, France,

News

Tonight the first awards ceremony presenting the Golden Lion for Lifetime Achievement to John Woo.

Next Sunday at the Lido in Venice will be the ceremony awards of the VIII Premio Kineo - Diamanti al Cinema Italiano. Best Film: Baaria, Giuseppe Tornatore; Best Director: Gabriele Salvatores for Happy Family. Check all winners here.

Hopefully today is my last day unpacking so I can go back to do more news about the fest.

Today's Photo

Margareth Madè from Baaria's fame red carpet walk.

Thursday, September 2, 2010

Day 2 @ 67th Venice International Film Festival

The first full day at Venice has the premiere of my most awaited film in La Mostra plus one French film that's must be seen for me. Also very puzzling Italian films that hope eventually could watch.

In Competition

Miral by Julian Schnabel (yes this is the one and from headlines I'm preparing lots of tissues as seems could be a tear-full film about a woman played by none other than excellent Hiam Abbass - ah! will be counting the days).
Noruwei No Mori ノルウェイの森 (Norwegian Wood) by Anh Hung Tran (could be visually outstanding)
La Pecora Nera, Ascanio Celestini, Italy

Out of Competition
Wanda by Barbara Loden
The Last Movie by Dennis Hopper, 1971
Yongxin Tiao (Showtime) Stanley Kwan, China (with Tony Leung Ka Fai plus story seems interesting)

Controcampo Italiano
Se Hai Una Montagna di Neve, Tienila All'Ombra by Elisabeetta Sgarbi (Out of Competiton)

Orizzonti
Opening Film: La Belle Endormie, Catherine Breillat, France (yes, must be seen for me)
Guest by Jose Luis Guerin, Spain (documentary by extraordinary En la Ciudad de Sylvia and Unas Fotos de la Ciudad de Sylvia filmmaker - have to watch this doc)
Non si Puo Nulla Contro il Vento by Flatfom, Italy (short film)
Nok Ka Mhin (Four Seasons) by Chaisiri Jiwarangsan, Thailand (short film)

Retrospective
Il commissario Lo Gatto by Dino Risi, 1986
La Lepre e la Tartaruga, by Alessandro Blasetti, 1962 (episode from Le Quattro Verita) - (with Monica Vitti, Sylvia Koscina and Rossano Brazzi - wow! - think haven't seen this one...)
Non ti Pago! by Carlo Ludovico Bragaglia, 1942
Un Giorno in Pretura by Stefano Vanzina, 1954 (episode)
Lo Scatenato by Franco Indovina, 1967 (with Vittorio Gassman)

Venice Days
L'Amore Buio (Dark Love) Antonio Capuano, Italy (with Valeria Golino)

International Critic's Week
Opening Film: Notte Italiana, Carlo Mazzacurati, Italia, 1987

There are some movie reprises that I'm not listing as some of you may remember that the daily list tells about the movies screened but most important about my impressions about each film as well as indentifies those that are must be seen for me.

News

Unfortunately today won't be able to spread the news because have to continue unpacking; but when I get tired maybe I'll share some news with you all. Check facebook and/or twitter for some 'interesting' news I have already published.

Thanks for visiting and hope tomorrow I could be back to more normal posting.

Today's Photo

Fabulous photo from Guardian UK showing a great couple of contemporary filmmakers. Nah! I just like the photo better than all those that populate the net.

Wednesday, September 1, 2010

67th Venice International Film Festival - Day 1

Believe it or not today it's a very busy at La Mostra, take a look at all the events that will take place in the inaugural day.

Opening Ceremony by Invitation Only - Nope wouldn't be able to watch, but will check it later when they upload to their Youtube channel.

Opening Film: Black Swan by Darren Aronofsky, some American critics are daring to say could win the top award, lol so early and predicting already a winner? Must be seen for me.

Out of Competition
Jingwu Fengyun Chen Zhen (Legent of the Fist: The Return of Chen Zhen) by Andrew Lau, is the opening night of Bruce Lee's Tribute
Machete by Robert Rodriguez and Ethan Maniquis - will watch, eventually
Vittorio Racconta Gassman - Una Vita da Mattatore, Giancarlo Scarchilli, Italy (documentary) (I'm interested) Yes, there will a tribute to Vittorio Gassman.

Retrospective
Compagni di Scuola, Carlo Verdone, Italy, 1988
Imputato, Alzatevi, Mario Maroti, 1939
13 Short Films from the section La Situazione Comica, all are Silent Films from 1910 up to 1915.

Venice Days
Opening Film: Le Bruit des Glacons (The Clink of Ice), Bertrand Blier
The Happy Poet by Paul Gordon
The Accordion by Jafar Panahi, Iran - short film

So, that's what's happening in the first "short" day that actually starts at 3:30pm with the Venice Days opening short and film.

Some news

-The godmother of the 67th Biennale opening and closing ceremonies is Isabella Ragonese know as the winner of the 2010 Nastro d'Argento for her performance in Daniele Luchetti's La Nostra Vita. Her brief career started with her first film Nuovomondo (Golden Door) by Emanuele Crialese and went to win some important New Artist of the Year awards. No, never paid attention to this young actress but think I will from now on.

-This morning the Jury had it's first press conference and seems that Quentin Tarrantino said many things (!). Can't translate right now, but here is what he said in Italian.

"Quando penso al cinema italiano mi viene in mente il termine passione", cosi' Quentin Tarantino, presidente di giuria alla 67ma Mostra del Cinema di Venezia, rimedia a un commento sulla nostra cinematografia di qualche tempo fa, quando aveva dichiarato che faceva tutto schifo. "in realta' - sottolinea - sono stato citato male". Quanto all'esperienza da giurato il regista di 'Pulp Fiction' afferma: "Mi piace molto questo ruolo perche' permette a un'artista di crescere, di diventare piu' forte. Adoro mettermi a tavolino da solo per vedere film e poi magari scrivere una critica per me stesso, non per pubblicarla". "Questa selezione - aggiunge - propone lavori provenienti da tutto il mondo", ci sara' sbizzarrirsi. Anche se ci sono molti amici di Tarantino in concorso il cineasta premio Oscar promette di essere imparziale, "Se mi piace un film lo sosterro' fino in fondo, cosi' come se mi piacera' un film realizzato da un amico". Anche il nostro Gabriele Salvatores condivide la passione di Quentin, "giudicare i film e' come entrare nel sogno di qualcun altro, fa bene al tuo ego - dichiara - mi piacerebbe che un film italiano vincesse qualche premio, ma dobbiamo farci trasportare dalla passione senza considerare la nazionalita'". Quanto al cinema italiano presente in selezione Salvatores dice: "Questa Mostra offre un ampio panorama, da autori all'opera prima a cineasti ben conosciuti, da quando faccio questo mestiere si parla di crisi del nostro cinema, penso che oggi stiamo producendo ottimi prodotti".

-I keep forgetting that this is the oldest film festival in the world, so better remind you too.

Not so Serious News

-If is real or just gossip it doesn't really matter but I'm really glad that fest organizers said NO to a George Clooney film. It's been said that 'someone' requested The American to be the opening film, but as we know -and I believe it was a wise choice- Aronofsky's film opens the fest and also, is in competition.

-If you wish to read Black Swan critics browse the net you'll find them. The press screening already happened as well as the press conference. Photo is from the press conference. If you understand Italian check some press conference highlights here.

-Some international movie critics are complaining because Venice is very expensive (lol!); they say that one week working in Venice is like two weeks working in Toronto! I believe is their frustration to the world recession and media cutting back costs, as when before media sent up to 10 people, today they're sending about 3. Ah! the data is for ONE festival per year and you guessed right if you said that the coverage will be for Cannes. So the #2 fest, being Venice, Toronto, Rotterdam, Berlin or whoever you think could be #2, gets less and less international coverage, leaving the ground open to local news. Just learned that La Mostra pays for all expenses of those critics they want to attend! Business, business, that's the darkest side of any film fest -at least for me.

-This year Mostra is the one before the last that Marco Mueller will preside as he wants to go back to produce films and he will after the 2011 Biennale. Some critics are calling this year selection "bold" or the boldest that Mueller has done up-to-date. Mueller says "This is the edition that most reflects [the tastes of] my selection committee and myself" ... "we love filmmakers who still respect a contract with the audience, who will entertain them with spectacle, but when you walk out of that film you will be changed". Well, if those two particular comments means that he had to do "bold" choices, then bold has to be good.

Not Serious News

-The fest's customary lavish opening-night bash on the Excelsior beach is being replaced by a smaller party in the hotel's Sala degli Stucchi and Terrazza dei Fiori. "It's not going to be a pompous opening -- it's going to be no-frills and back to basics. It's going to be about what we love: cinematic riches," said Mueller.

-Italian Vanity Fair (or Uomo Vogue?)hosted a party on the Grand Canal for Quentin Tarantino. So? No interesting pics yet.

Have to stop here, but if have some extra time after the movers are gone, will continue the post as haven't been able to check everything I got for you.

Cheers!

Tuesday, August 31, 2010

67th Venice International Film Festival News

Today is a good day to start this year's coverage of La Mostra that as we all know will officially start tomorrow with the opening ceremony at 7:pm followed by the premiere of Aronofsky's much awaited film Black Swan. Here are some interesting news.

- Persol 3D Award

The Persol 3-D Award is the first international prize of its kind, awarded to the film that has used stereoscopic 3-D in the most creative way. It was instituted for the first time in 2009 at the 66th Venice International Film Festival, and was awarded in its inaugural edition to The Hole 3D by Joe Dante, one of this summer’s Italian box-office “surprises”. The award will be attributed this year again to the most creative of the 3D films distributed in Italy (or shown as a world premiere screening in Italian film festivals) between September 11 2009 and September 10 2010.

These are the 3D films eligible for the second Persol award.

G-Force by Hoyt Yeatman
Planet 51 by Jorge Blanco, Javier Abad, Marcos Martínez
A Christmas Carol by Robert Zemeckis)
Cloudy with a Chance of Meatballs by Phil Lord, Chris Miller
Avatar by James Cameron
Call of the Wild 3D by Richard Gabai)
Alice in Wonderland by Tim Burton
How To Train Your Dragon by Dean DeBlois, Chris Sanders
Clash of the Titans by Louis Leterrier
Toy Story – 3D by John Lasseter
OceanWorld 3D by Jean-Jaques Mantello
Toy Story 2 - 3D by John Lasseter, Ash Brannon, Lee Unkrich
The Final Destination 3D by David R. Ellis
U2 3D by Catherine Owens, Mark Pellington
Toy Story 3 by Lee Unkrich
Shrek Forever After by Mike Mitchell
Cats & Dogs: The Revenge of Kitty Galore by Brad Peyton
The Last Airbender by M. Night Shyamalan

Furthermore, another 3-D film will be eligible, and screened in its world premiere screening Out of Competition at the 67th Venice Film Festival: Tungngaan 3D (The Child’s Eye 3D) by Oxide and Danny Pang.

My personal wish is that Avatar doesn't get the award, for me still is a mediocre film with great special effects. To check the complete press release go here.

- Midnight [Madness] Screenings

Tomorrow at midnight will be the world premiere of the anticipated film by Robert Rodriguez and Ethan Maniquis, Machete that I'll probably watch (no rush) mainly because of the cast -well, the female cast- and in the right mood, I can actually enjoy Rodriguez's films.

-Pre-Opening

Believe it -or not- tonight at 8:30pm (Italian time) there is a "pre-opening" event with the screening of Profumo di Donna (Scent of a Woman) by Dino Risi at Arena di Campo San Polo. This 1974 film starts none other than great Vittorio Gassman as il capitano Fausto Consolo (yes, watch it a long-long time ago).

This year coverage will be simultaneous in the blog and at facebook; obviously with different content and information, that know will complement each other, as facebook is very useful -as well easy to use- to have links to everything (news, videos, trailers, gossip, etc) related to La Mostra.

As expected most news coverage come from Italian news so I'll be checking them on daily basis to find and share what I believe is at least "interesting". Will start tomorrow with the daily coverage, similar to Cannes fest, BUT won't be able to do much on Thursday, Friday and maybe Saturday as finally my stuff is arriving, it took a little bit more than a month! But, I'm really happy that soon everything will be back to where it belongs, with me! (LOL!) and I'll be ready to finally go back to watch great movies with all my system installed.

Let's hope that everything goes smoothly and I can be back earlier than expected.

Cheers!!!

Tuesday, August 24, 2010

4th Queer Lion Awards Lineup

These are the films that will be competing for the Queer Lion.

Black Swan, Darren Aronofsky, USA (lesbian interest) - Main Competition
Capo Dio Monte, Pappi Corsicato, Italy (documentary about gay artist) - Venice Days -Spazio Aperto
Drei (Three), Tom Tykwer, Germany (gay interest) - Main Competition
En el Futuro, Mauro Andrizzi, Argentina (gay interest) - Orizzonti -
Et in Terra Pax, Matteo Botrugno and Daniele Coluccini, Italy (gay interest)- Venice Days
Happy Few, Antony Cordier, France (gay interest) - Main Competition
Lisetta Carmi, A Soul on the Road, Daniele Segre, Italy (sort of gay interest?) - Venice Days (Italian Portraits and Landscapes)
Potiche, Fracois Ozon, Frace (gay interest) (Must be seen) - Main Competition
La Solitudine dei Numeri Primi (The Solitude of Prime Numbers), Saverio Costanzo, Italy, Germany and France (gay interest) - Main Competition
The Tempest, Julie Taymor, USA Closing Film (first is Taymor, second Helen Mirren, THIRD Mirren plays Prospera that in the original Shakespeare play is a man and here is a 'virile woman', must be seen)- Out of Competition
Sposerò Nichi Vendola, Andrea Constantino, Italy (gay interest) - Controcampo Italiano (Short Film)

As expected there is only one really lesbian interest as The Tempest I'm doubting will have any specific interest, but will be interesting watching Helen Mirren playing the role. Also think that Potiche is in the considered films because is Ozon as was described as being totally 'queer' because the actresses. Will check for more info about the genre as news start to appear.

To check information and photos for each film go here where you can also browse the other related activities. Award ceremony will be on September 10th.

Wednesday, August 18, 2010

4th Queer Lion Award News

Been checking everyday for news and today found that the list will be available next Monday, August 23 finally. Let's hope that this year there will be more diversity, but from the films I have been able to identify in the main competition seems that will be as always with gay interest films as a majority.

Sigh.